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London LASER 19 programme announced

London LASER 19

Tuesday 21 February 2017

6.30 – 9.00pm (registration from 6pm)

C202, Central Saint Martins, University of the Arts London, 1 Granary Square,
Kings Cross, London
N1C 4AA

 

LASER: Talks on the intersection of art, science and technology

The event is free but please book to reserve a place: londonlaser19.eventbrite.co.uk

London LASER and CLOT magazine present an evening on ‘Interspecies Creativity’ with artist Kuai Shen, composer Eduardo R. Miranda and designer Veronica Ranner.

Bringing together a group of practitioners engaged in creative practices with nonhuman life forms we will explore issues connected with interspecies communication, co-creation and collaboration. Discussion will include considerations of working creatively with living matter, the implications of shared authorship, notions of nonhuman subjectivity, and issues of care and control.

 

Kuai Shen is an artist whose ant-mediated installations reflect on the interspecies relationship between insects and humans as a metaphor for a post-human ecology, in which mutualisms between artefacts and organisms take place. He has published his research about ant stridulation in “Biologically-Inspired Computing for the Arts” from the University of Colorado, in the Leonardo MIT Journal for the Siggraph, as well as in the Acoustic Space Journal published in the context of the 5th Renew Media Art Histories conference. His current research focuses on ant mimicry in the post-biologic technology of humans based on emergence, resiliency and imitation. kuaishen.tv

Eduardo R. Miranda is a composer and Artificial Intelligence (AI) scientist working at the crossroads of biology & music. He studied Music Technology at the University of York and received a PhD on the topic of music with AI from the University of Edinburgh. Currently, he is Professor in Computer Music at Plymouth University where he heads the Interdisciplinary Centre for Computer Music Research, which is pioneering the development of biological and quantum computing technology for music. Here Prof Miranda will introduce his research into harnessing the Physarum polycephalum slime mould to build bio-processors and interactive musical bio-computers. neuromusic.soc.plymouth.ac.uk    @bio_computer

Veronica Ranner is a designer, artist and researcher exploring the burgeoning domain of the bio­–digital – a converging knowledge space where digitality and computational thinking meet biological matter. She dissects and creates tangible and immaterial manifestations of such collisions, examining the polyphonic potential of alternative technological futures. Veronica holds a degree in Industrial Design from Pforzheim University, a Masters in Design Interactions (RCA), and has worked cross­ disciplinarily with a variety of science institutions and biomedical companies. Her current doctoral work explores paradigm shifts in reality perception by coupling speculative (bio)material strategies and information experience through design research. veronicaranner.com    @vroniranner

CLOT Magazine is an online curatorial platform dedicated to art explorations into science and technology, curated and edited by Meritxell Rosell and Lula Criado. Founded and based in London, CLOT Magazine curates intellectual content, generates debate and creates new frontiers of exploration by researching trends in areas of: biomedia, biodesign, body architectures and cyborgs, bio robotics, artificial intelligence (AI) and virtual reality (VR), sound art, computing art, kinetics, synthetic biology among others. clotmag.com   @ClotMagazine

 

'lived dialectics: movement and rest', Elena Cologni site responsive performance score, courtesy the artist and Q21, MuseumsQuartier Vienna.

London LASER 17 – booking now open

London LASER 17

Tuesday 18 October 2016

6.30 – 9.00pm (registration from 6pm)

C303, Central Saint Martins, University of the Arts London, 1 Granary Square,
Kings Cross, London
N1C 4AA

 

LASER: Talks on the intersection of art, science and technology

The event is free but please book to reserve a place: londonlaser17.eventbrite.co.uk

 

London LASER 17 hosts Richard Bright on Visualising Thought and Elena Cologni on the Indisciplined.

 

Richard Bright is an artist and writer. After studying Fine Art and Physics he went on to become the founder and director of The Interalia Centre in 1990, an organisation that provides an international forum for the exchange of ideas between the arts and the sciences. Its aims are based on the belief that far from being mutually exclusive activities, art and science represent different yet complimentary ways of looking at and understanding the world. He is also the editor of the online magazine Interalia Magazine, launched in 2014, which explores the interactions between art, science and consciousness. Drawing on the disciplines of Art, Buddhism and Neuroscience, he will explore questions relating to ‘how thought can be visualized’.

www.interaliamag.org

@InteraliaCentre

 

Elena Cologni is an artist working with live, installation and performance art practices. She has a PhD in Fine Art from University of the Arts London, Central Saint Martins, where she was also Post-Doctorate Fellow (Arts and Humanities Research Council 2004/06), a Research Fellowship at York Saint John’s University (2007/09), and is now associated to the Commonwealth Intercultural Arts Network (University of Cambridge) (2013/), and Lecturer at Lincoln University. Her presentation will give an overview of the in(ter)disciplinary umbrella project rockfluid created in collaboration with the Faculty of Experimental Psychology, Cambridge University. She will focus on the topic of ‘disruption’ both in processes of memorisation and in the function of participatory approaches, drawing on recent projects exploring social dynamics among participants. Her active account will include a series of practical and physical exercises to experiment with (and subvert) underpinning psychological, sociological and cognitive aspects.

www.elenacologni.com

@elenacologni

 

Booking open for LondonLASER – 17 May at Central Saint Martins

London LASER 15

Tuesday 17 May 2016

6.30 – 9.00pm (registration from 6pm)

C202, Central Saint Martins, University of the Arts London, 1 Granary Square,
 Kings Cross, London
N1C 4AA

 

The event is free but please book to reserve a place: londonlaser15.eventbrite.co.uk

 

London LASER 15 hosts Brett Wilson on embodied realism; Meritxell Rosell and Lula Criado on art and science trends covered in CLOT Magazine; and Louise Beer and Melanie King on astronomical explorations.

Brett Wilson is a retired scientist and a founder member of the research group Project Dialogue, bringing together artists and scientists to explore commonalities across research in the arts and sciences. Until recently he was the “scientist in residence” in the faculty of art and design at the University of the West of England and is co-editor of ‘Art, Science and Cultural Understanding’. Brett will be exploring how, in a postmodern world, the original enlightenment sensibilities separating art and science have come under scrutiny with the emergence of a vigorous ArtScience movement. Lakoff and Johnson’s recent work on embodied realism, linking our powers of metaphor-infused thought and imagination to our sensorimotor faculties and experiences, effectively avoids the restrictions of a mind-body dichotomy and can be used to create a new aesthetic framework for ArtScience. www.projectdialogue.org.uk

CLOT Magazine is an online curatorial platform dedicated to art and science explorations, curated and edited by Meritxell Rosell and Lula Criado. Founded and based in London, CLOT Magazine curates intellectual content, generates debate and creates new frontiers of exploration by researching trends in areas of: bio design, bio art, human art, sound art, computing art, bio robotics, kinetics, synthetic biology, molecular gastronomy, artech and speculative design. They will talk about some current trends and compelling conversations across the Bio.Art.Tech spectrum; from artists, innovators and influencers to thinkers, writers, curators and scientists. Meritxell Rosell holds a PhD in Biomedicine and Biochemistry, BSc in Biology, MSc in Molecular Biology and Postgraduate in Philosophy. Lula Criado holds a BSc in Pharmacy, BSc in Biochemistry, MSc in Molecular Biology and Genetics and MA in Coolhunting and Trends. www.clotmag.com

@ClotMagazine      @lula_clotmag      @dancingmoog

Louise Beer and Melanie King graduated from the MA Art & Science degree at Central Saint Martins in 2013 and have since collaborated on a number of projects. They are directors of Lumen Studios which, co-founded in 2014, has produced a number of exhibitions, film screenings and light installations in London churches. These events focus on themes of astronomy and light and intend to raise dialogue about how humanity understands existence. Lumen Studios also run an annual residency in Atina, Italy and have secured a gallery and events space in the crypt of St John on Bethnal Green. They are also co-founders of Aether, a curatorial project focused on the philosophical aspects of astronomy and space exploration; recently exhibited at the Jarvis Dooney Galerie in Berlin, and at Imperial College London 29 April – 23 May 2016. Louise and Melanie will talk about their artistic practices and curatorial projects. www.lumenstudios.org   a-e-t-h-e-r.com

www.melaniek.co.uk   @MelanieKKing    www.louisebeer.com     @ SpaceWolf__

 

Programme for London LASER 13 announced

London LASER 13

Tuesday 16 February 2016

6.30 – 9.00pm (registration from 6.00pm)

C303, Central Saint Martins, University of the Arts London, 1 Granary Square,
 Kings Cross, London
 N1C 4AA

 

The event is free but please book: londonlaser13.eventbrite.co.uk

 

London LASER hosts Astronauts of Inner Space, bringing together four speakers interested in diverse interfaces between science and the psychic. Bronaċ Ferran, Luciana Haill, David Luke and Wai H. Tsang tackle a series of topics relating to art, neuroscience and the body including the art and science of psychedelic perception, neuromorphic computing, fractal brains, entoptic visuals and Dreamachines.

 

About the Speakers:

Bronaċ Ferran is a writer and curator specializing in the intersection between disciplines and the art of the 1960s. A former Director of Interdisciplinary Arts at Arts Council England and Senior Tutor at RCA, she is author of Neuromorphobia (hypehypehyper) an essay being published in Spring 2016 by Archives Books Berlin as part of the Psychopathologies of Cognitive Capitalism series edited by Warren Neidich.  She recently curated three exhibitions of concrete poetry from the ‘sixties and is co-editing a forthcoming issue of the Interdisciplinary Science Reviews journal, with Elizabeth Fisher, on The Experimental Generation: Interdisciplinary Trends in Post-War British Culture.

Luciana Haill is a contemporary Surrealist working with neurotechnologies; her recent practice has focused on artist Brion Gysin’s Dreamachine, Entoptic visuals and the phenomena ‘Flicker’. She has developed this into a series of performances and installations involving the real-time monitoring and sonification of the participants own brainwaves using techniques from hypnosis and meditation. She is considered a pioneering artist in her field. The ‘Phrontesterion’ (EEG & Dreamchine) referencing the notion of ‘The Visionary’ has been shown internationally including The Royal Academy, The Royal Institution, The Waag Society in Amsterdam and KIBLA in Slovenia. She is also Artist in residence in the Department of Informatics at the University of Sussex in the UK.

David Luke is Senior Lecturer in Psychology at the University of Greenwich where he teaches an undergraduate course on the Psychology of Exceptional Human Experience. He was President of the Parapsychological Association between 2009 and 2011 and as a researcher he has a special interest in transpersonal experiences, anomalous phenomena and altered states of consciousness, having published 100 academic papers in this area. Dr Luke is co-editor of Talking with the Spirits: Ethnographies from Between the Worlds (Daily Grail, 2014) and Breaking Convention: Essays in Psychedelic Consciousness (Strange Attractor, 2013), editor of Ecopsychology and the Psychedelic Experiences (2013), and is also coauthor, with Professor Chris French, of the undergraduate textbook Anomalistic Psychology (2012, Palgrave Macmillan).

Wai H. Tsang studied Computing Science and Artificial Intelligence at Imperial College London. He is best known for his application of fractal geometry as an approach to understanding the brain, mind and genome; and also as a powerful new path to AI. As well as communicating his Fractal Brain Theory he also does public talks about technology and politics, and has spoken at international conferences, including the Bitcoin conference and the Towards a Science of Consciousness Conference. He is currently in the process of launching his AI startup Fractal Brains Corp.

Corpus Grandiferum by JJ Hastings

Announcing London LASER 11 programme – 20 October

London LASER 11

Tuesday 20 October 2015

6.30 – 9.00pm (registration from 6pm)

C303, Central Saint Martins, University of the Arts London, 1 Granary Square,
Kings Cross, London
N1C 4AA

The eleventh London LASER event hosts co-directors of Art Laboratory Berlin, Regine Rapp and Christian de Lutz on the fluid boundaries between visual arts, biology and the humanities, and artist/scientist J.J. Hastings on the complexities of our relationship with our biomaterials.

The event is free but please book: londonlaser11.eventbrite.co.uk

Regine Rapp is an art historian and curator working in the fields of image/text theory, artist books, installation and art & science collaborations. Christian de Lutz is a visual artist and curator interested in technology and science. They are the directors of Art Laboratory Berlin which, co-founded in 2006, has produced over 35 exhibitions and numerous conferences, seminars, performances and workshops. Their talk The Biological Sublime in 21st Century Art will focus on the fluid boundaries between visual arts, biology and the humanities with specific examples of art/science collaborations and new hybrid forms.

artlaboratory-berlin.org  @ArtLaboratoryB

J.J. Hastings’ work focuses upon the intersection and interplay of art and science – from philosophy to praxis – merging scientific and artistic research. She holds advanced degrees in both Biology and Bioinformatics, and an MA Art & Science from Central Saint. Recent residencies include the Khoj Workshops in Delhi, SymbioticA in Perth, the Lumen Residency in Atina, Italy, and Ausstellingsraum Klingental in Basel. J.J. is also co-founder of the bio-creative consultancy The Kitchen with fellow CSM alumna and materials designer Amy Congdon, as well as a member of both the Lumen and London Alternative Photography Collectives. JJ will talk about her work on the body as a contested space, focusing on the unique biological trace of our corporeal being through time.

jadenhastings.com @photopoiesis

Programme announced for 19 May 2015

London LASER 09
Tuesday 19 May 2015
6.30 – 9.00pm (registration from 6pm)

C202, Central Saint Martins, University of the Arts London, 1 Granary Square,
Kings Cross, London N1C 4AA

The ninth event in the London LASER series presents a group of Art/Science practitioners talking about their work, how they became interested in transdisciplinary research and how they go about working in collaborative ventures. The event has been organised by Brett Wilson and will be chaired by Barbara Hawkins, both founder members of the transdisciplinary research group ‘Project Dialogue’ and co-editors of the publication ‘Art, Science and Cultural Understanding’.

The event is free but please book: londonlaser09.eventbrite.co.uk

Iain Biggs is a Visiting Research Fellow at Bath Spa University and UWE, Bristol, and an independent teacher, researcher and artist who publishes regularly on a variety of topics. He is a co-ordinator of PLaCE International, an arts-led research network, and of the Mapping Spectral Traces international network. At present he is working with NOVA on a hydro-citizenship project in Bristol. His talk will provide a general context for thinking about particular projects involving five artists – Christine Baeumler, Cathy Fitzgerald, Antony Lyons, Perdita Phillips, and Deirdre O’Mahony – who all work in different ways in the Art/Science field.  Iain will stress the ’social engagement and/or educational’ aspect of their work as a distinguishing element.

Shelley James completed her PhD last year at the Royal College of Art in London, before which she studied printmaking at the University of West England, Bristol and textiles at the Ecole Nationale Superieure des Arts Decoratifs in Paris. She is currently teaching at the Institute of Making at UCL and has collaborative projects running with the mathematician Sir Roger Penrose and the crystallographer Professor Brian Sutton, supported by Arts Council England as well as a patient engagement programme with Moorfields Eye Hospital. The Gordon Museum of Pathology at King’s College London holds a permanent installation of her work exploring DNA. Shelley will discuss recent projects exploring the role of materiality in science-art collaboration.

Helen Pynor is an artist with a scientific background and whose practice has focused on philosophically and experientially ambiguous zones such as the life-death border and the spatial/material basis of consciousness. Her work is informed by in-depth residencies in scientific and clinical institutions such as the Max Planck Institute for Molecular Cell Biology and Genetics, Dresden where she is currently Artist-in-Residence. Helen’s work has been exhibited internationally, most recently at the National Centre for Contemporary Art (Russia), National Taiwan Museum of Fine Arts, Science Gallery Dublin, Australian Centre for Photography and Wellcome Collection.

Simon Read is a visual artist who works closely with the processes and dynamic of environmental change.  At present he holds an Associate Professorship in Fine Art at Middlesex University and is an associate member of the Art and Environment Network of the Chartered Institute of Water and Environmental Management. Using case studies from his work on intertidal infrastructure projects with coastal and estuarine communities on the Suffolk Coast, Simon will explore the importance of the links between a speculative approach to experience as an artist, a firm understanding of the scientific and engineering principles of a project on the ground and a broad conceptual basis for research afforded by interdisciplinary academic networks.

Brett Wilson is a recently retired scientist and a founder member of Project Dialogue, a research group bringing together artists and scientists to explore commonalities across research in the arts and sciences.  Over the last six years he has acted as a “scientist in residence” in the faculty of art and design at the University of the West of England and is co-editor of the recently published book ‘Art, Science and Cultural Understanding’. Brett will be talking about blurred lines, communities of practice and the role of metaphors in science’s conceptual models. www.projectdialogue.org.uk

LASER is a program of evening gatherings, which bring together eclectic guest speakers working at the intersections of art, science and technology. Running successfully in the US for several years, London LASER is the first of the series to take place in Europe. Free of charge and open to the public, London LASER encourages lively discussion in an informal academic setting. London LASER is hosted by University of the Arts London (Central Saint Martins MA Art and Science and LENS) and University of Westminster (Broad Vision art/science research and learning project and CREAM), and chaired by Heather Barnett. LASER is a project of Leonardo® /ISAST (the International Society for Art, Science and Technology).

Programme announced for 17 March at Central Saint Martins

The eighth London LASER hosts Anna Dumitriu on ethical considerations of artists working with bioscience, Nicola Triscott on recent work by Revital Cohen and Tuur Van Balen, and CUBE London resident artists Ideographic on possible correlations between spikes in cultural evolution and the alliance of art and science.

The event is free but please book at: londonlaser08.eventbrite.co.uk

Anna Dumitriu works at the forefront of art and microbiology collaboration, with a strong interest in the ethics of emerging technologies. Her installations, and performances use a range of digital, biological and traditional media including live bacteria. She has a strong international exhibition profile including The Science Gallery (Dublin), The Picasso Museum (Barcelona) and MOCA Taipei, and is Artist in Residence on the Modernising Medical Microbiology Project at The University of Oxford. She will discuss her projects “Sequence” investigating whole genome sequencing of bacteria and “Trust Me I’m an Artist” which considers the ethical implications of artists working with bioscience. normalflora.co.uk artscienceethics.com @AnnaDumitriu

Nicola Triscott is the founder and Director of The Arts Catalyst, one of the UK’s most distinctive arts commissioning organisations, distinguished by ambitious artists’ commissions that experimentally and critically engage with science. For more than 20 years, The Arts Catalyst has commissioned more than 100 artists’ projects and produced numerous exhibitions, events, performances and publications, collaborating with many arts, science and academic organisations internationally. Underpinning The Arts Catalyst’s commissions and exhibitions are its extensive research strand and its programme of critical discussion events, talks and workshops. Nicola will talk about their recent commission by Revital Cohen and Tuur Van Balen, which recently premiered at the Schering Space Berlin. Sterile / Sensei Ichi-gō explores the ambiguous identity of animals designed as products. artscatalyst.org @nicolatriscott ‪@TheArtsCatalyst

Ideographic is a residency with the Cube London (a curated, interdisciplinary community). Comprised of six artists and scientists, the ideographic team aims to answer a question: Is there a correlation between spikes in human evolution and cultures with an alliance of art and science? They aim to uncover the relation between interdisciplinary behaviour in social organisms, and periods of change, innovation and growth. Looking at biological, cultural and technological evolutions in historic societies and contemporary ones, they are trying to identify shared principles for periods of social dynamism and progress. They will make a short presentation of the research and art forms of the residency so far, and host a discussion. This will address the impact of this correlation on our lives today, as we live through a turbulent period of social evolution. ideographic-thecube.com

Dates for your diaries in 2015

Announcing the 2015 dates for London LASER evenings of talks and discussion at the intersection of art, science and technology…

2015: 17 February / 17 March / 19 May / 16 June / 20 October / 17 November (6-9pm)

More info on speakers to follow, but we kick start the new year on 17 February at Central Saint Martins with a great line up: Bronac FerranPaul Friedlander and Timothy Senior (guest chaired by Laura Gracia). [Booking will open mid January]

 

 

Programme for London LASER 06, 18 November, Central Saint Martins

London LASER 06
Tuesday 18 November 2014
7.00 – 9.00pm (registration from 6.30pm)
D115/117, Central Saint Martins, University of the Arts London, 1 Granary Square,
Kings Cross, London
N1C 4AA

The sixth London LASER evening of talks at the intersection of art and science hosts microbiologist Joanna Verran talking about interdisciplinary collaborations, artist Jennifer Crouch on the abstraction and representation of knowledge, and a self-organising open discussion on cross-disciplinary ‘Transactions’ led by Heather Barnett, artist/educator and London LASER Chair.

The event is free but booking is essential: http://londonlaser06.eventbrite.co.uk

Joanna Verran is Professor of Microbiology at Manchester Metropolitan University. Her research focuses on the interactions occurring between microorganisms and inert surfaces. This interdisciplinary work highlighted differences in language and understanding between researchers in different subjects, and encouraged Jo to explore how microbiology and microorganisms are used in their work by colleagues and students from the Manchester School of Art. Jo also encouraged her undergraduate science students to utilise their own creative talents, using arts and the humanities as a vehicle for their own ‘microbiology messages’. Jo’s presentation will describe her learning journey through these various collaborations. http://www.sci-eng.mmu.ac.uk/intheloop @JoVerran

Jennifer Crouch presents ‘A Commentary on Illustrated Models of the Cosmos and the Metaphorisation of Nature’. Having studied Physics and Illustration separately at university Jennifer works as a practicing artist, arts educator and workshop provider. She is a member of the Jiggling Atoms project, a multi-disciplinary project exploring the wonders of physics. Jennifer will talk about representation and abstraction in the process of knowledge creation, i.e. mathematics, simulations, experiments and of the subsequent forms that we use to describe discoveries in turn (from mathematics to metaphors), fostering relationships between the extraordinary cosmology (science) and cosmologies (mythological) that humans think up by virtue of the fact that there is structure as well as mystery and ambiguity in the universe. www.jennifercrouch.com, www.jigglingatoms.org
@JenniferCrouch

London LASER Chair, Heather Barnett, will lead a self-organising discussion forum on cross-disciplinary ‘Transactions’, stimulated by questions raised by the audience (attendees will be invited to pose questions for discussion prior to the event). The aim of the discussion will be to tease out individual and collective experiences and ‘value’ of working outside of disciplinary bounds. www.heatherbarnett.co.uk @HeatherABarnett

Please note this event starts slightly later than usual. Registration will be open from 6.30pm, starting at 7pm.

London LASER 03 programme announced

London LASER 03
Tuesday 20 May 2014
6.30 – 9.00pm (registration from 6pm)
Central Saint Martins, University of the Arts London,
1 Granary Square, Kings Cross, London N1C 4AA

The third London LASER for 2014 hosts a dialogue with artist Alice Ladenburg and physicist Iain Woodhouse about The Y of Sky – The Art and Science of Earth Observation; Michelle Lewis-King presents Pulse Project, a performance study at the intersections between art, science, east, west, self and other; and Samantha Moore presents Some Sort of Coloured Quilt, a collaborative animated responses to synaesthesia.

The event is free but booking is essential: londonlaser03.eventbrite.co.uk

Artist Alice Ladenburg (at London Laser) and physicist Iain Woodhouse (at an ASCUS event in Edinburgh) will discuss Why Equals?, their collaboration exploring the notion of observation. Why Equals? have presented their research at exhibitions and events including: School of Geosciences, Edinburgh University; Generator Projects, Dundee and INSPACE, Edinburgh: whyequals.tumblr.com. Alice Ladenburg is an artist and creative facilitator: aliceladenburg.com, Iain Woodhouse is Professor of Applied Earth Observation at The University of Edinburgh: forestplanet.wordpress.com.

Michelle Lewis-King is an artist-acupuncturist, lecturer and PhD research fellow for the Cultures of the Digital Economy Research Institute, Anglia Ruskin University and her research investigates the cultural interfaces between art, medicine and technology. Michelle will create a discussion and demonstration of her artistic research exploring the practice of Chinese medicine as a critical and performative intervention within the contexts of (western) biomedical clinical praxis. Michelle’s research is published in the Journal of Sonic Studies and ELSE Journal for Artistic Research. Michelle’s work has also been recently exhibited at the V&A Museum, Ex-Teresa Museum (Mexico) and Spike Island. http://clang.cl/pulse-landscapes-2/  and  http://codephd.wordpress.com/

Samantha Moore is an animated documentary film maker who is passionate about animation’s ability to convey different realities in new and surprising ways. She will be talking about her short film An Eyeful of Sound made collaboratively with people who have audio-visual synaesthesia and Dr Jamie Ward, one of the leading researchers in this field. This film has won several awards internationally including one from the journal Nature at the Imagine science film festival in New York. Sam has just completed a PhD by practice at the University of Loughborough about the way that animation can be used to document perceptual brain states. She is a freelance animator and teaches animation at the University of Wolverhampton, UK.  http://www.samanthamoore.co.uk/  and http://eyefulofsound.blogspot.co.uk/

 

LASER is a program of evening gatherings, which bring together eclectic guest speakers working at the intersections of art, science and technology. Running successfully in the US for several years, London LASER is the first of the series to take place in Europe. Free of charge and open to the public, London LASER encourages lively discussion in an informal academic setting.

London LASER is hosted by University of the Arts London (Central Saint Martins MA Art and Science and The Lens) and University of Westminster (Broad Vision art/science research and learning project and CREAM), in association with Leonardo/ISAST (the International Society for Art, Science and Technology). LASER is a project of Leonardo® /ISAST.